Tate Modern, London. Looking at Modern Art: In Memory of David Sylvester. 17 January-24 March 2002.
Catalogue with introduction by Nicholas Serota and text by David Sylvester
Yale University Art Gallery, New Haven, Connecticut. The Tiger’s Eye: The Art of a Magazine. 29 January-30 March 2002.
Catalogue with text by Pamela Franks
Centro Culturale Candiani, Mestre, Venice. The " Irascibles" and the New York School. 23 March-30 June 2002.
Catalogue with essays by Sam Hunter et al.
Philadelphia Museum of Art. Barnett Newman. 24 March-7 July 2002.
ALSO SHOWN AT: Tate Modern, London, 19 September 2002-5 January 2003.
Catalogue edited by Ann Temkin with essays by Richard Shiff and Ann Temkin and contributions by Suzanne Penn and Melissa Ho
Fondation Beyeler, Riehen, Switzerland. Monet . . . up to Digital Impressionism. 28 March-4 August 2002.
Catalogue with texts by Reinhold Hohl et al.
Kunstmuseum, Basel. Painting on the Move: A Century of Contemporary Painting (1900-2000). 26 May-8 September 2002.
Catalogue with texts by Bernhard Mendes Bürgi et al.
Whitney Museum of American Art, New York. An American Legacy, a Gift to New York. 24 October 2002-26 January 2003.
Catalogue
Kunsthalle, Erfurt, Germany. Unaussprechlich Schön: Das mystische Paradoxon in der Kunst des 20. Jahrhunderts. 5 May-22 June 2003.
Catalogue, in English and German, with texts by Kai Uwe Schierz et al.
Museum of Art, Rhode Island School of Design, Providence, Rhode Island. Back to the Present: Minimalist Works from the Museum's Collection. 27 June-7 September 2003
Andrea Rosen Gallery, New York. An Abstract Expressionist Eye: Aaron Siskind with Franz Kline, Willem de Kooning, Barnett Newman, and Hugo Weber. 30 October-6 December 2003.
Commemorative catalogue published on the occasion of the gallery’s 25th anniversary in 2015