Betty Parsons Gallery, New York. Group Show 1949-50. 31 May-18 June 1950
Provincetown Art Association, Hawthorne Memorial Gallery, Provincetown, Massachusetts. Post-Abstract Painting 1950: France and America. 6 August-4 September 1950.
Listed as no. 33, one work by Barnett Newman titled Number 20, not further identified.
Checklist; also flyer listing the 35 participating artists
Walker Art Center, Minneapolis. Contemporary American Painting: 5th Biennial Purchase Exhibition. 15 October-10 December 1950.
Catalogue with introduction by H. Harvard Arnason
Betty Parsons Gallery, New York. Barnett Newman. 23 April-12 May 1951.
The gallery's typed checklist, on deposit at the Barnett Newman Foundation, lists sixteen items as numbers 1-1951 through 16-1951, including their prices, mention of identifying colors, and dimensions for nine of them but no titles. A typewritten note tacked to the wall during the exhibition read: "There is a tendency to look at large pictures from a distance. The large pictures in this exhibition are intended to the seen from a short distance."
Announcement card
Betty Parsons Gallery, New York. Gallery Group. 12-31 May 1952
Betty Parsons, New York. Recent Paintings. 29 September-11 October 1952
Betty Parsons Gallery, New York. Ten Years. 9 December 1955-14 January 1956.
Exhibition brochure with introduction by Clement Greenberg
The Minneapolis Institute of Arts. American Painting 1945-1957: 146 Pictures Representing Outstanding Achievement or Promise by American Artists of the Post-War Era. 18 June-1 September 1957.
Catalogue with introduction by Stanton L. Catlin
Kunsthalle, Basel. Die neue amerikanische Malerei. 19 April-26 May 1958.
Organized by the Museum of Modern Art, New York, under the auspices of The International Council at The Museum of Modern Art.
Catalogue with texts by Arnold Rüdlinger and Alfred H. Barr, Jr., and artists' statements
New Gallery, Bennington College, Bennington, Vermont. Barnett Newman: First Retrospective Exhibition. 4-24 May 1958.
Pamphlet with introduction by Clement Greenberg and note by E. C. Goossen